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Vessel in the form of a deer. Greater Coclé culture, Panama, ca. 650-1250 AD. Ceramic with orange, cream, and black slip-paint. Princeton University Art Museum collection
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Vessel in the form of a deer. Greater Coclé culture, Panama, ca. 650-1250 AD. Ceramic with orange, cream, and black slip-paint. Princeton University Art Museum collection
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Dish with deer. Los Tuxtlas culture, present-day Veracruz, Mexico, Late Classic to Epiclassic Period, ca. 650-1000 AD. Ceramic with polychrome slip-paint. Princeton University Art Museum collection
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Dish with deer. Los Tuxtlas culture, present-day Veracruz, Mexico, Late Classic to Epiclassic Period, ca. 650-1000 AD. Ceramic with polychrome slip-paint. Princeton University Art Museum collection
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Bottle in the form of a dog. Nasca culture, south coast, Peru, ca. 1-600 AD. Ceramic with slip. Metropolitan Museum of Art collection
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Bottle in the form of a dog. Nasca culture, south coast, Peru, ca. 1-600 AD. Ceramic with slip. Metropolitan Museum of Art collection
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Vessel in the form of a tattooed man. Nazca culture, Peru, ca. 550-650 AD. Pottery with paint. National Museum of the American Indian collection
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Vessel in the form of a tattooed man. Nazca culture, Peru, ca. 550-650 AD. Pottery with paint. National Museum of the American Indian collection
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Lidded effigy ceramic container in the form of a god with it's originals colors still on it, Maya Lowlands, Late Postclassic, ca. 1500 AD, Image courtesy of the Princeton University Art Museum
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Lidded effigy ceramic container in the form of a god with it's originals colors still on it, Maya Lowlands, Late Postclassic, ca. 1500 AD, Image courtesy of the Princeton University Art Museum
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Vessel. Recuay culture, north highlands, Peru, ca 1-700 AD. Ceramic with slip and pigment. Cleveland Museum of Art collection
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Vessel. Recuay culture, north highlands, Peru, ca 1-700 AD. Ceramic with slip and pigment. Cleveland Museum of Art collection
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"Feeling the Enemy" by Winslow Homer, 1887-1888. Crayon, pen and black ink on paper. Princeton University Art Museum collection
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"Feeling the Enemy" by Winslow Homer, 1887-1888. Crayon, pen and black ink on paper. Princeton University Art Museum collection
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Chimú Prisoner Textile, fragment of a wall hanging that was over 100 ft long. Chimú culture, central coast, Peru, ca. 1200-1290 AD. Cotton with red, ochre, green, and blue pigments. Princeton University Art Gallery collection
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Chimú Prisoner Textile, fragment of a wall hanging that was over 100 ft long. Chimú culture, central coast, Peru, ca. 1200-1290 AD. Cotton with red, ochre, green, and blue pigments. Princeton University Art Gallery collection
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Head vase signed by the potter Navigius, modern Tunisia, ca. 270-320 AD. African red-slip ware ceramic. Princeton University Art Museum collection
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Head vase signed by the potter Navigius, modern Tunisia, ca. 270-320 AD. African red-slip ware ceramic. Princeton University Art Museum collection
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Tulip vase. Teco Art Pottery, Terra Cotta, Ill., with Fernand Moreau , ca. 1904-1914. Terracotta with matte Teco Green glaze. Princeton University Art Museum collection
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Tulip vase. Teco Art Pottery, Terra Cotta, Ill., with Fernand Moreau , ca. 1904-1914. Terracotta with matte Teco Green glaze. Princeton University Art Museum collection
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Stirrup-spout bottle with deer. Moche culture, Peru, ca. 500-800 AD. Ceramic with slip. Metropolitan Museum of Art collection
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Stirrup-spout bottle with deer. Moche culture, Peru, ca. 500-800 AD. Ceramic with slip. Metropolitan Museum of Art collection
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Jaguar effigy vessel. Greater Nicoya culture, Nicoya peninsula, Costa Rica, ca. 1000-1350 AD. Ceramic with pigment. Brooklyn Museum collection
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Jaguar effigy vessel. Greater Nicoya culture, Nicoya peninsula, Costa Rica, ca. 1000-1350 AD. Ceramic with pigment. Brooklyn Museum collection
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Aryballos in the form of a monkey. East Greek, probably Milesian, ca. 580 BC. Ceramic. Cleveland Museum of Art collection
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Aryballos in the form of a monkey. East Greek, probably Milesian, ca. 580 BC. Ceramic. Cleveland Museum of Art collection
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Fish plate. Attributed to the Asteas-Python workshop, Paestum, southern Italy, ca. 340-330 BC. Red-figure ceramic. Princeton University Art Museum collection
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Fish plate. Attributed to the Asteas-Python workshop, Paestum, southern Italy, ca. 340-330 BC. Red-figure ceramic. Princeton University Art Museum collection
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Bottle with fox head. Moche culture, North coast, Peru, ca. 500-800 AD. Ceramic with slip. Metropolitan Museum of Art collection
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Bottle with fox head. Moche culture, North coast, Peru, ca. 500-800 AD. Ceramic with slip. Metropolitan Museum of Art collection
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Tsuba with a koi. Japan, late 19th c. Iron with gold inlay. Princeton University Art Museum collection
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Tsuba with a koi. Japan, late 19th c. Iron with gold inlay. Princeton University Art Museum collection
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This two-part Maya vessel is made of slip-painted ceramic and features the form of what appears to be an armadillo with a human-like face. From Petén in Guatemala, 300-600 CE, now housed at the Los Angeles County Museum of Art
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This two-part Maya vessel is made of slip-painted ceramic and features the form of what appears to be an armadillo with a human-like face. From Petén in Guatemala, 300-600 CE, now housed at the Los Angeles County Museum of Art
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Panathenaic prize amphora. Greek, Attic, ca 470 BC. Terracotta with black figure decoration attributed to the Niobid Painter. Baltimore Museum of Art collection
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Panathenaic prize amphora. Greek, Attic, ca 470 BC. Terracotta with black figure decoration attributed to the Niobid Painter. Baltimore Museum of Art collection
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Carved ivory side panel from a casket, depicting a legend of an enchanted bed where the Arthurian knight Gawain is attacked by lions and mechanical arrows. Paris, ca. 1300-1350. Princeton University Art Museum collection
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Carved ivory side panel from a casket, depicting a legend of an enchanted bed where the Arthurian knight Gawain is attacked by lions and mechanical arrows. Paris, ca. 1300-1350. Princeton University Art Museum collection
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Effigy vessel representing a land crab, from the Colima culture of Western Mexico, Classical period, 100 BCE–250 CE, crafted from ceramic with a brick-red slip and black oxides. Collection & Photo Credit: Binoche and Giquello, Paris
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Effigy vessel representing a land crab, from the Colima culture of Western Mexico, Classical period, 100 BCE–250 CE, crafted from ceramic with a brick-red slip and black oxides. Collection & Photo Credit: Binoche and Giquello, Paris
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